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2月15日: Yokohama @ Jazz Club Farout 2月16日: Tokyo @ Super Deluxe 2月17日: Nagoya @ Nanya 2月18日: Kyoto @ Urban Guild 2月19日: Kobe @ Guggenheim House 2月20日: Fukuoka @ New Combo 2月21日: Omuta @ Fuji 2月22日: Oita @ AtHall

past

23.11.2013 w/ MATTIN, MAYHEM, KBH
22.11.2013 w/ MATTIN, PHONOGNOM, AARHUS
21.11.2013 w/ MATTIN, TESTRUP HOJSKOLE
01.10.2013 CAFE V LESE, PRAHA
30.09.2013 W/ SUSANNA GARTMEYER, RHIZ, VIENNA
25.09.2013 INTERPENETRATION, GRAZ
24.09.2013 SIGNALRAUM, MÜNCHEN
09.06.2013 MAYHEM, KBH
10.05.2013 w/ margeret unknown, S-111, VIENNA
09.05,2013 MO.Ë, VIENNA
25.08.2012 Elektronisk Jazzjuice, Aarhus
24.08.2012 Lunchmoney, Aarhus
18.07.2012 Lunchmoney, Aarhus Jazz Festival
10.06.2012 Pool, Tokyo
08.06.2012 At Hall, Oita
06.06.2012 Nu Things, Osaka
05.06.2012 Urban Guild, Kyoto
04.06.2012 Valentine Drive, Nagoya
03.06.2012 Bar Isshee, Tokyo
02.06.2012 l-e, Tokyo
25.08.2011 SPLAB, Aarhus





photo: TR KIRSTEIN



plays improvised music that ranges from the quiet,
elegant and introspective to uncontrolled primal screams.

The dialectics between opposites such as
controlled / uncontrolled
primitive / modern
artifcial / natural
is a cornerstone in both approach and expression.

Inspired by consciousness expanding techniques they work towards a coherent textural soundscape, only to deconstruct it; scraping off the composed and controlled layer by layer, until the music's primitive, physical and antiintellectual subcutis emerges.

sounds:

b gland

flop cut semi up


video:




Danielle Dahl (saxophones)
Norwegian saxophone player and composer. Danielle is interested in the extremes of sonicvariations possible on the acoustic saxophone, combining subtle and minimal means of expression with the aesthetics of noise and freejazz.

Thomas Eiler (drums)
A well known name on the Danish jazz/improv scene,
both as a sideman and contractor for own projects.
Thomas is 1/4 of the common man avantgarde group SVIN.

Niklas Adam (mixing board, objects, guitar)
Danish multi-instrumentalist and composer living in Norway. Works in the field between fineart and music. Adam uses the mixer and other analog devices to generate electronic sounds with an inherent acoustic or human nature and thus plays on the tension between the physical and the intangible.